Along with the rest of the range, the reverb spring is ably powered by a dual op-amp.įor those who gig regularly, you will find that the dependable Fender Blues Junior III is among the amps that often show up on backline stages. Ribbon connectors are used to join this to a tinier through-plated board that accommodates the five valves – a pair of EL84s and three 12AX7s.
The amp is altered and has a huge single-sided board that holds the top panel control options and most of the other smaller components.
Regardless of the guitar that is used, the Fender Blues Junior IV flatters both humbuckers and single coils. The blackface reverb-equipped combos from the ’60s provides the inspiration for the stylishly yellowed silver sparkle grille cloth and the black vinyl. There is not much difference in the cabinet styling it borrows its dimensions from the slender panel tweed amps from the ’50s. However, in 2018 Fender updated its Pro Junior, Hot Rod and Fender’s Blues Junior amps to the latest Mark IV specification, which features a variety of tweaks such as Celestion’s exceptional A-Type loudspeaker. Its light weight, compact dimensions and guitar player pedal-friendly features have placed it in a category among the most sought after gigging combos in the world.
Definitely a great guitar combo amp but you can also check out our other best guitar amp recommendations as well if you want to consider buying this amp after reading Fender’s Blues Junior reviews. The Blues Junior was introduced in 1995 and has kept the same name ever since, in spite of a number of updates as the years went by. The grander DeVille and Deluxe combos were converted into the Hot Rod range in 1997. The Blue Series has been in production from about 1993. However, the hugely popular Blues Series combo amp have outlasted them both. These amps are revered for their historical significance and remarkable tones. The tweed and blackface amps from Fender became popular during the eras of the 1950s and 1960s.
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